As the "Futurist", Tony always looks down the road to avoid any devastating personal consequences Main Character Concern of the Future). The lack of Pepper Potts’ presence and the loss of his parents set the stage for a personal account of someone who will do anything to put off what they see as inevitable ( Main Character Throughline of Situation, Main Character Issue of Delay). Tony’s Augmented Reality presentation defines for us what it feels like to be isolated and alone.
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What is needed is a breaking free from constraints and an embracing of the chaos ( Objective Story Solution of Uncontrolled)-the kind of purposeful and proactive response Tony Stark needs to take, both professionally and personally. Unfortunately, this kind of approach only perpetuates the conflict. Seeing the Avengers as blindly looking for the next fight, the proposed Sokovia Accords aim to prevent and avoid any further casualities ( Objective Story Focus of Pursuit and Objective Story Direction of Avoidance).
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The Scarlett Witch's initial gesture to save Captain America's life represents an act of control that goes horribly wrong ( Story Driver of Action). ( Objective Story Issue of Self Interest and Objective Story Problem of Control). Whether motivated out of personal loss or job security, the attempt to limit the destructive damange caused by the Avengers only serves to increase the amount of loss of life. Message and PurposeĬaptain America: Civil War is a story of revenge ( Objective Story Throughline of Activities). You also lock down the one storyform that determines the thematic concerns of the entire story, while simultaneously communicating the purpose of the film. Put the two together and you set the foundation for the conflict felt between the Main Character and Influence Character Throughlines, respectively. Steve is driven to consider right from wrong first. Writing a Holistic Problem-Solver would only serve to isolate the Audience and drive away much of Marvel’s core Audience. In an action packed four-quadrant film like this, a Linear Main Character Problem-Solving Style is a foregone conclusion. In order to balance out these similar points-of-view, Tony must pivot away from focusing first on the fallout of his actions ( Main Character Resolve of Changed and Main Character Approach of Do-er). Peter fills in for Steve in his absence and challenges Tony to reconsider his way of doing things. It also explains the presence of Peter Parker as an extension of this point-of-view through a narrative technique known as an Influence Character Hand-Off.
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Steve’s headstrong point-of-view suggests a maintaining of resolve and an impact sourcing from an internal perspective ( Influence Character Resolve of Steadfast and an Influence Character Throughline of Fixed Attitude). The film ends in Triumph ( Story Outcome of Success & Story Judgment of Good) and finds itself driven by actions and a dwindling number of superhero friends who can come into conflict before Iron Man and Captain America must go head-to-head ( Story Driver of Action & Story Continuum of Spacetime).
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This is, of course, after you select certain obvious Character and Plot Dynamics. When you set the Main Character Problem to Control in Dramatica®, the Influence Character Problem automatically sets itself to Consider. Steve acts as Influence Character in Captain America: Civil War, not Main Character. In fact, Steve’s stubbornness to consider any other viewpoint other than his goody two-shoes 1940s black-and-white wholesome American values influences those around him to want to punch Steve in his “perfect teeth”. decision making that Steve Rodgers demands must be held by the individual.
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This regret forms the foundation for abdicating control of decision making to outside authorities. He shares with us his deep emotional baggage: he wishes he would have told his father he loved him like his mother asked, instead of acting like a petulant and immature child. Tony opens up his journey with a look back at a significant moment in his life: the last time he saw his father and mother alive. While Steve Rodgers (Chris Evans)–Captain America–serves to push forward a certain agenda that influences much of the conflict in the film, Tony Stark (Robert Downey, Jr.), the Iron Man, offers us the intimate personal view of conflict only seen through a Main Character perspective. In an ensemble film where many characters deal with various obstacles and emotional struggles, one expects the character named in the title to be the primary point-of-view.